Tag Archives: make-up artist

So you want to be a Makeup FX artist? Pt 4. What Now?

And now your thought for the day, here’s a little something that all of us should be reminded of from time to time:

In the latest issue of Makeup Artist Magazine, there is a telling quote from Tami Lane where she is describing the hiring process for Hobbit:  “Not only did we have to pre-paint the pieces we got from Weta, we also had to hair-punch the eyebrows on them. It was quite difficult to find people that could hair-punch a realistic set of eyebrows.  I had to turn down a lot of fantastic makeup artists I wanted to work with, because I had to incorporate both jobs into one person.”

You start out as a total beginner, armed only with enthusiasm and sheer desperate willingness to succeed, and then you do some kind of training, whether self-taught or formal training, and then you are somehow ‘qualified’.

Ok, so the minute you actually DO any training to get your basic skills,  you are going to realise that there is a long hard road ahead of you, which involves doing a lot of freebies or low-budget work to get the ACTUAL skills you need- i.e. the ability to put everything you have learned into practice, on real people, in an actual working environment under what is often immense pressure from time and budgetary constraints….

But what then?  Surely after you have put in the hard yards and paid your dues, the world is your oyster, right?

I think somehow that most people believe that there is some kind of magic threshold, and that once you have reached it, everything is easy, you will get the jobs you want, work on the projects you aspire to be a part of, and live happily ever after…..

Well, as the above quote should tell you, no, the world doesn’t work that way.

Yes, nepotism exists, and people like to work with people they know and trust, which is fair enough, but a little bit of healthy competition never goes astray.

When  it comes down to getting the job done, however, it doesn’t matter how long you have been working, or on what, or with who-  the single biggest factors in choosing crew for any particular job remain the same regardless of your level and experience:

1. Can the person do the job or are we willing to train them to do the job?

 2. Will the person do the job well?

 3. Will we be able to work with this person and can this person work with us, over the long run?

 

Fall down on any one of those factors, and you’re no longer in the running. And then, beyond that, there are other factors like availability, location limitations, and the sheer brutal reality that you can only afford so many people in any given team.

For Hobbit the crucial factor was the first and simplest one- can the person do the job?  They didn’t have time to train people to the level required in the very specific combination of skills that were required due to the particularly demanding nature of the type of work involved.  Not a lot of people already  had THAT particular combination to the level required, and so they didn’t get the gig, even if they were incredibly talented people in many other areas and the best fun in the world to work alongside on a hard job.

The truth is, you can’t be all things to all people.  You can be a generalist, and ‘jack-of-all-trades’, but the flipside of that coin is the other half of the expression: ‘master-of-none’.

You can be a specialist, and amongst the best in your field in your chosen area, but that carries its own risks, amongst them, being pigeon-holed and never allowed to try anything else, no matter how good you might be, because people value what skills they know you possess far more than the ones they don’t know about.

Whatever your skill level, you won’t get hired unless you have the relevant experience and appropriate skills required to do that particular job.

So don’t take it personally if you get knocked back, no matter how badly you wanted it, maybe that job just wasn’t meant for you.


The FX Artists Reply to Unreasonable Demands:

There are many people who want to be Makeup FX Artists. More than there can ever possibly be demand for. Most of them will never ‘make it’. Not because they don’t have the talent, or the drive, but because they get worn down by years of trying and failing, and eventually give up, poor, lost and disheartened. It takes more than just raw talent and enthusiasm to make it in this business.

Many people starting out are often so eager to make a name for themselves and get involved in something- anything! – that they become unwitting doormats, willing to do whatever it takes to follow their dreams. For some reason, perfectly sane people who would never consider behaving like this in any other arena of their lives start belittling themselves or prostituting their skills. They become totally desperate- like drug addicts, taking whatever so-called ‘work’ they can get, to get their next ‘high’… Unfortunately in that state of mind it is easy to be taken advantage of by people who really couldn’t care less about your desire to prove yourself, they are just in it for themselves and don’t care who they tread on on the way.

It is one thing to be enthusiastic and helpful and excited about finally getting to pursue your dreams, and another thing entirely to get the chance to do something that is going to help you actually do that.

The word “No” is often completely eradicated from peoples vocabularies at this stage, because they are so terrified of somehow losing out if they dare to refuse a ‘job’.

Well, here is a reality check for anyone who is at that point:

The FX Artists Reply to Unreasonable Demands:

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What Do I Need In My Makeup FX Kit?

What do you need in your kit when you are a Makeup FX Artist?

To a large extent it depends on the kind of work you usually do. Is it factual recreation or fantasy creations? Do you have time to build FX in your workspace beforehand, or are you regularly called upon to put together an Out-of-kit Effect at the last minute?  Of course, you won’t necessarily need your entire kit on every job, but you will want a comprehensive set of tools and products to get you through any situation you are likely to face in your working life.

If you trained at a formal school you will have purchased a very basic kit to use during your education. If you are self taught you may have acquired everything piecemeal as you needed it, but that can leave gaping holes in your kitlist when it comes to things you just haven’t done yet…

Either way, shopping for Product and Equipment can be a minefield of torturous decision making and insecurity… And making the wrong purchase can be worse than not buying anything!
When faced with a multitude of alternative brands and glossy marketing material making grandiose promises, it is always difficult to know where to start.

Most of us get swept up in the excitement of new and exciting products from time to time, only to find them languishing at the bottom of our kit months later while we rely on our familiar and predictable old favorites…

A case in point is Makeup Brushes: how many do you own?    Twenty?  Forty? 
Now, being honest with yourself: how many do you actually USE???   I’d wager that you rely on the same half dozen for everything you do!!  

With this in mind, I advise you to read the following list carefully and pick out only items that seem to you to be immediately necessary, or perhaps things that you have seen in other peoples kits and think would be useful to you in your current line of work.
Accumulating a comprehensive and versatile kit is a major investment in your career, so try to only buy things you know you will use or are willing to learn to use!! And always buy the best quality you can afford, that is justified by the work you do.

So your checklist before purchasing an item goes something like this:

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SFX Makeup Artists and Duty of Care:

  • A DUTY of CARE is a legal obligation imposed on an individual requiring that they adhere to a standard of reasonable care while performing any acts that could foreseeably harm others.

    What does this mean to you? 

    It means that if, in the course of your work, you perform any action that harms, or provide any service or product that causes harm, to another person, you are in breach of your Duty of Care and the injured party can sue you. *Important note: Although I say, ‘in your work’, the law appies to you WHATEVER YOU DO, ALL THE TIME, WHETHER AS PAID WORK OR AS A HOBBY….

    But I have insurance for that, right?  Well, maybe, maybe not….

    Since 1950, the International Labour Organization (ILO) and the World Health Organization (WHO) have shared a common definition of occupational health. It was adopted by the Joint ILO/WHO Committee on Occupational Health at its first session in 1950 and revised at its twelfth session in 1995. (For further reference see Occupational_safety_and_health)

    The definition reads:

    “Occupational health should aim at: the promotion and maintenance of the highest degree of physical, mental and social well-being of workers in all occupations; the prevention amongst workers of departures from health caused by their working conditions; the protection of workers in their employment from risks resulting from factors adverse to health; the placing and maintenance of the worker in an occupational environment adapted to his physiological and psychological capabilities; and, to summarize, the adaptation of work to man and of each man to his job.”

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The “M” word…. Money, and how do I get paid for this?

After the idealism of youth, and the dewy eyed enthusiasm of the passionate beginner has worn off, and we have begun our fledgling careers in the Special Effects Makeup Industry, most people come to realise very abruptly, and not altogether pleasantly, that there is a long hard road ahead of them, and it isn’t going to be all roses and red carpets…. In short, you will have bills to pay, rent to cover, and you will look wistfully at your friends who have ‘boring’ jobs working in the local bank or as a plumber, who are buying new clothes every six weeks and jetting off overseas for their annual leave, and say “Why cant I afford to do that?”  You will have discovered the harsh reality.

It’s hard to make a living wage doing what we do.

And nobody, but nobody, teaches you about Business 101 when you are studying to be an “artist”. Lets face it, you wouldn’t have been interested if they wanted to- you thought that because you loved it so much, all you had to do was get out there, show the world how talented and enthusiastic you were and they would beat a path to your door… FX Houses all over the world would be competing to get you to come work for them, right?  Or not…. Continue reading


So you want to be a Makeup FX artist? Pt 1. Where Do I Start?

So, you have been doing what you are doing for a while, life was going ok, good, not great, and you have slowly come to the realisation that you have a niggling dream to work in Special Makeup FX…. Or perhaps you always knew you wanted to try for this, but you never quite knew how to start? You might be twenty and single, footloose and fancy free, or you might be married with a mortgage and kids….
I do empathize with you- I didn’t get into this until I was 40, and let me tell you it took me about three years to work up the guts to do it!! I flipped everybodies lives upside down in the process, because I had to move to the other side of the country for three months to train, and previously I had been home with my kids while they were little, so my husband suddenly had to rediscover (discover?) his domestic side and hold the fort whenever I was working! Fortunately for me though he realized I needed to do this and saw how much happier I was once I had so it all worked out, not everyone is that lucky. Also we have money from our other business so I can afford to just do the jobs I want- never had to take weddings to pay the bills.
So where do you start?

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BLOOD FOR FILM: Information, Ingredients and Recipes

The original version of this post was written for the Film and Television Institute in Perth, Western Australia a few years ago. It has since been updated and added to several times. In its current form it summarises the best and most accurate recipes and useful information currently available to Makeup Artists, to allow you to make your own Theatrical Bloods for Film, Tv or Stage.

THE HOLY GRAIL OF MAKEUP FX

As a Makeup Artist, I am often asked about the best way to make a CHEAP, REALISTIC artificial BLOOD, that won’t stain, and can be made in bulk for film and theatre.

The answer isn’t always what they want to hear, sadly, there is no such beast! As always, the classic designers triangle applies here: Good, Fast and Cheap. Pick two…..

Quite honestly, if you are only using a small amount then you are better off buying a good brand of theatrical blood as it will work out the same price to make your own and wont always be as good, and less fuss!

However, if you need a large quantity or are unable to source a good quality product in your geographic area, there are plenty of recipes around and one of those listed here is bound to suit your purposes.

In my personal Makeup FX kit I routinely carry between 12 and 16 different types of bloods at any one time. Yes, thats right- at least a dozen! The reason for is that there are many variables on a shoot, and rarely is one product suitable for every occasion. You need to mix and match. I carry runny bloods that dont dry, runny bloods that do dry, runny bloods that are mouth-safe or edible, bloods that stay where you put them, bloods in different colours in the above categories, opaque bloods, translucent bloods, blood pastes, blood that can be reactivated by a spritz of water, blood that will stay on underwater, blood that sets scabby, blood that looks fresh, blood for eyes, blood powder, blood capsules…. you get the idea?

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