Monthly Archives: March 2011

Great Makeup Books & DVDs

If you want to start collecting some good reference materials, this list gives you some idea of where to start looking- it covers a small selection of the books and DVDs in my Makeup & FX Library.

I currently have over  300 books in my collection, not including filmmaking books.  I have books on ‘straight’ makeup as well plus other pictorial period and general references, hairstyling books, medical and forensic books, magazines, etc etc. They are in no particular order but I would start with the first two as they both contain information on the latest industry standard materials and techniques.

Continue reading


Film is a jigsaw puzzle -ALL the pieces need to fit!

Another from the archives- this originally posted on Facebook in 2009.

When you are planning your low-budget indy film, dont forget to consider Makeup, Makeup FX, and Costume!

It doesnt matter if its a short for your senior year at film school, or your first feature, which you have funded by selling your car….
Sadly, many people treat these highly specialised areas as an afterthought, or the poor cousins of Art Dept, when in reality they are as important as good lighting. And just like lighting, when done well, you should hardly notice them, but they lift the standard of the whole production, and contribute seamlessly to the overall look and feel.
Poorly done, they will drag your precious project and all its months or years of hard work down to the amateur level!
Will you appoint a DOP with no experience in camerawork? A gaffer who doesn’t know the difference between a key and a fill, or when to use a reflector vs a cutter? Would you use an obviously fake toy gun as a key prop? Or let an actor wield a weapon without understanding how a real one behaves? No? Of course you wouldn’t?
Then why would you trust a vital component of the visual appearance of your film to someone who has little or no experience, interest or understanding of how it works?
Another aspect you may not have considered is the difference that good crew in this area can make to your actors… Having well-equipped professionals preparing your talent and then looking after the continuity on set all day will make the editors job much easier, and leave the actors free to concentrate on giving you an award-worthy performance.

If you don’t know a professional – find one!!!!! A great place to start is on Facebook! There are plenty of groups dedicated to film production, and several devoted to film makeup.

Remember – professionalism is an attitude, not a price tag.
Having said that, don’t expect to get Oscar-winning work for free. The level of experience and expertise of your crew is commensurate with the level of remuneration you will need to provide. Trust your appointed crew to let you know what FX etc you can realistically afford, and give you the best ‘bang for your buck’. Continue reading


A New Era in Perth Filmmaking.

From the Archives:  This was originally published as a Facebook Note in late 2009.

Filmmaking is about creative collaboration and co-operation.

When you see the ongoing success of events like the ‘Perth Film Network’ networking functions you realise how much we are all benefiting, getting to know and work with the rest of the people in our fledgling industry. It’s great to see people responding so enthusiastically to these events. It makes you realise what has been missing for so long in this town- communication. It’s fantastic to have that chance to meet people, have a few drinks and and dream up new ideas for future projects.

But we won’t ever catch up to the rest of the country unless we all pull together, put in some serious effort, and make it happen…. or else we will keep on having drinks and having a good time, and life will go on pretty much as it always has round here. Which is fine if you want to keep working for nothing, or are happy getting paid two-thirds of what the rest of the country gets because ‘it’s only WA’. It’s fine if you don’t care that many of our crew never get much past the skill level of your average keen student filmmaker, not from want of trying, but purely because they never, ever, get a chance to work with someone better than they are and see how it can, and should be done.

There haven’t been enough professional level production here to have any sort of useful mentoring of our brightest and best, and people complain that the big productions that come over don’t use many local crew. Why is this so? Two extremely valid reasons- firstly, because we have a very, very small group of people trained to the standard they need, and most of those work full-time to service the small industry we do have- local commercials, corporates, docos, sport, and once in a blue moon, a kids tv series. Second reason is because most of the interstate and overseas productions don’t know a soul in the industry here, and even if they did want to hire local crew- they wouldn’t know where to find them. Basically we are really bad at promoting ourselves outside our own backyard. And not so hot within it, for that matter.

Is it any wonder that anyone with any ambition gets on a plane as soon as they can? If the people who do have the knowledge can’t or won’t teach you, how can you learn? Worse, if there is no-one here with the kind of skills you need to learn, what else are people supposed to do? How many of you want to spend the next twenty years making the same kind of films they have done here for the last twenty? Sure, the advances in computing and digital technology now make it possible for anyone to get a little camera and make a film, complete with CGI, in their living room. Well, heads-up, folks- just because you can physically make a film, it doesn’t automatically follow that its going to be good! This is an artform and a craft – one that requires dedication and passion, and most of all, practise! And by the way, practise doesn’t mean doing the same thing, the same way, over and over and over- it means refining and improving and learning. Continue reading


the winds of change…

Well, 2011 has certainly started with a bang.  Or according to where you are, a blow, (Qld’s Cyclone Yasi) a shake, (the Christchurch quake) or a burn (the Perth bushfires), which have left many mourning the loss of loved ones, homes and livelihoods.  Natural disasters and human error aside, it seems that there is a lot of powerful energy around at the moment, and change is in the wind.  On the whole, this presents many people with a problem.  To quote Terry Pratchett,

‘They think they want good government and justice for all, Vimes, yet what is it they really crave, deep in their hearts? Only that things go on as normal and tomorrow is pretty much like today.”

I am sure that all those who have survived the traumas of the past two months would indeed have preferred that life had simply gone on much as before…. without the irrevocable changes inflicted upon them in a moment by the caprice of nature. Fortunately for the rest of us, not all change is as drastic or as painful, yet many people still find it difficult to cope with.

People forced into change often struggle to adapt, but even when that change, whether small or large, is of our own making, we too can struggle against it.  Perhaps we would do well to remember that it is perfectly usual to feel disoriented and out of sorts when we are in a new or altered situation, because most of our daily behaviours and interactions rely far more on habit and routine than we realise, and having those routines removed forces us to SEE our environments in a new way for the first time in ages.  Not always with pleasant consequences….  all you can do is remember your ‘child-mind’, and let go of needing to know or control what is going to happen next.  Be open, and allow, dont fight it, you need your energy for other things, and within a few months you will create a totally new set of habits and routines to get you through.    Continue reading


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