USING YOUR SILICONE:
So you are now fully equipped to choose exactly the right silicone product for your purpose, and you are champing at the bit to get started. So lets look at how to do that.
I’m not going to go into the entire multifaceted sculpting and mould-making process here, it would take me six months, and there are already a lot of fabulous resources out there…. (see post on My Makeup Books) what we ARE going to look at now is the actual silicone itself and what you need to do to end up with a usable product at the end.
There are several things to do before you even open the product.
FIRST, make sure your workroom, tools and materials are neither too cold, nor too hot This, I understand, can be tricky…. but especially in your first few attempts with silicone, it will make the process much smoother and increase your chances of success. (All Technical Data sheets list the estimated geltime and total curing time of your product, at an ideal working temp of around 24C (about 75F).)
Wait a minute- chances? You mean this isnt a guaranteed, easy peasy, smooth as pie process? Weeeelllll…. technically, yes, it could be, as long as you follow the instructions perfectly and work in optimum conditions. But Im not going to lie to you- there are many things that can go amiss if you aren’t careful, and sometimes, even if you are…
SECOND, assemble your tools and materials. You will need to make sure your materials and workspace are clean, and all components are compatible with the silicone of your choice- remember your list of inhibitors. You really need to have an accurate electric scale measuring by the gram for working with silicones, plus a pocket scale that measures by 0.1 grams, especially if you are making prosthetics and the likes that use only small amounts… (see The How and Why of Silicone (Part 2) for some good pocket scales). Dont forget the calculator and a notebook to write things down- NEVER assume you will remember it all. Also, you will need to make sure you have CLEAN CONTAINERS. Never try and skimp on this… as my 16 yr old observed, recycling isnt a large part of Special Effects, and although we can re-use some things, it pays to be scrupulous when working with something as fussy and expensive as silicone. You can save a container you have used for the same silicone before and remove the old cured mix, but if there are uncured parts you are best to dispose of them and start again. Some cardboard cups contain wax that can inhibit some silicones. Clean paper cups, plastic containers or foodgrade plastic buckets are best.
THIRD, it goes without saying that you should ALWAYS test your materials before starting your project. It also goes without saying that most people simply don’t bother….
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From the Archives: This was originally published as a Facebook Note in late 2009.
Filmmaking is about creative collaboration and co-operation.
When you see the ongoing success of events like the ‘Perth Film Network’ networking functions you realise how much we are all benefiting, getting to know and work with the rest of the people in our fledgling industry. It’s great to see people responding so enthusiastically to these events. It makes you realise what has been missing for so long in this town- communication. It’s fantastic to have that chance to meet people, have a few drinks and and dream up new ideas for future projects.
But we won’t ever catch up to the rest of the country unless we all pull together, put in some serious effort, and make it happen…. or else we will keep on having drinks and having a good time, and life will go on pretty much as it always has round here. Which is fine if you want to keep working for nothing, or are happy getting paid two-thirds of what the rest of the country gets because ‘it’s only WA’. It’s fine if you don’t care that many of our crew never get much past the skill level of your average keen student filmmaker, not from want of trying, but purely because they never, ever, get a chance to work with someone better than they are and see how it can, and should be done.
There haven’t been enough professional level production here to have any sort of useful mentoring of our brightest and best, and people complain that the big productions that come over don’t use many local crew. Why is this so? Two extremely valid reasons- firstly, because we have a very, very small group of people trained to the standard they need, and most of those work full-time to service the small industry we do have- local commercials, corporates, docos, sport, and once in a blue moon, a kids tv series. Second reason is because most of the interstate and overseas productions don’t know a soul in the industry here, and even if they did want to hire local crew- they wouldn’t know where to find them. Basically we are really bad at promoting ourselves outside our own backyard. And not so hot within it, for that matter.
Is it any wonder that anyone with any ambition gets on a plane as soon as they can? If the people who do have the knowledge can’t or won’t teach you, how can you learn? Worse, if there is no-one here with the kind of skills you need to learn, what else are people supposed to do? How many of you want to spend the next twenty years making the same kind of films they have done here for the last twenty? Sure, the advances in computing and digital technology now make it possible for anyone to get a little camera and make a film, complete with CGI, in their living room. Well, heads-up, folks- just because you can physically make a film, it doesn’t automatically follow that its going to be good! This is an artform and a craft – one that requires dedication and passion, and most of all, practise! And by the way, practise doesn’t mean doing the same thing, the same way, over and over and over- it means refining and improving and learning. Continue reading
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