Tag Archives: make a short film

SFX Makeup Artists and Duty of Care:

  • A DUTY of CARE is a legal obligation imposed on an individual requiring that they adhere to a standard of reasonable care while performing any acts that could foreseeably harm others.

    What does this mean to you? 

    It means that if, in the course of your work, you perform any action that harms, or provide any service or product that causes harm, to another person, you are in breach of your Duty of Care and the injured party can sue you. *Important note: Although I say, ‘in your work’, the law appies to you WHATEVER YOU DO, ALL THE TIME, WHETHER AS PAID WORK OR AS A HOBBY….

    But I have insurance for that, right?  Well, maybe, maybe not….

    Since 1950, the International Labour Organization (ILO) and the World Health Organization (WHO) have shared a common definition of occupational health. It was adopted by the Joint ILO/WHO Committee on Occupational Health at its first session in 1950 and revised at its twelfth session in 1995. (For further reference see Occupational_safety_and_health)

    The definition reads:

    “Occupational health should aim at: the promotion and maintenance of the highest degree of physical, mental and social well-being of workers in all occupations; the prevention amongst workers of departures from health caused by their working conditions; the protection of workers in their employment from risks resulting from factors adverse to health; the placing and maintenance of the worker in an occupational environment adapted to his physiological and psychological capabilities; and, to summarize, the adaptation of work to man and of each man to his job.”

    Continue reading

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INSURANCE FOR SFX Makeup Artists and Technicians

When you first start out, dont forget INSURANCE!

When you work for a larger company as an EMPLOYEE, you will be covered by their public liability and indemnity insurance policy as long as you are engaged in work that you have been assigned.

When you are a FREELANCER, or as can sometimes be the case even when working for a larger company, a SUBCONTRACTOR, YOU ARE RESPONSIBLE for your own insurance.

So, if anything goes wrong, say an actor has an allergic reaction (whole different subject- to be covered in another post!!) and ends up requiring expensive medical treatment, or if the actor is injured in some way as a result of YOUR work, then YOU are personally LIABLE, not the production… nor the company that may have engaged you to do the work…. Of course the injured party may choose to sue them as well for having hired you in the first place, but in the end, its going to cost you.

A lot of people ignore insurance when they start out, they think its too expensive… but being sued for injury or loss of income is going to be a WHOLE lot more expensive, and given how hard it is to make any money in this business in the first place when you are in your early career, can you afford to take that risk?????

All countries have different legislation covering insurance and compensation so you will need to ask around for the best kind of cover. In the United States you may be able in many cases you can ad it as a rider to a home insurance policy for little to no cost. Australia is a little different, you can cover tools of trade at home or in the car, and public liability on the premises, but not on a worksite, which requires a separate policy…

Some places have policies specifically geared to the Film and TV production industry. You can also ask your local Government regulatory authority, Media Union or Professional Association for recommended insurers. If you can’t find those, then get some kind of Mobile Business Insurance if you are working on sets and locations, that will cover you for personal liability and tools of trade, (often these cover any assistants as well).

Don’t skimp- it could cost you your livelihood or your lifestyle!


Film is a jigsaw puzzle -ALL the pieces need to fit!

Another from the archives- this originally posted on Facebook in 2009.

When you are planning your low-budget indy film, dont forget to consider Makeup, Makeup FX, and Costume!

It doesnt matter if its a short for your senior year at film school, or your first feature, which you have funded by selling your car….
Sadly, many people treat these highly specialised areas as an afterthought, or the poor cousins of Art Dept, when in reality they are as important as good lighting. And just like lighting, when done well, you should hardly notice them, but they lift the standard of the whole production, and contribute seamlessly to the overall look and feel.
Poorly done, they will drag your precious project and all its months or years of hard work down to the amateur level!
Will you appoint a DOP with no experience in camerawork? A gaffer who doesn’t know the difference between a key and a fill, or when to use a reflector vs a cutter? Would you use an obviously fake toy gun as a key prop? Or let an actor wield a weapon without understanding how a real one behaves? No? Of course you wouldn’t?
Then why would you trust a vital component of the visual appearance of your film to someone who has little or no experience, interest or understanding of how it works?
Another aspect you may not have considered is the difference that good crew in this area can make to your actors… Having well-equipped professionals preparing your talent and then looking after the continuity on set all day will make the editors job much easier, and leave the actors free to concentrate on giving you an award-worthy performance.

If you don’t know a professional – find one!!!!! A great place to start is on Facebook! There are plenty of groups dedicated to film production, and several devoted to film makeup.

Remember – professionalism is an attitude, not a price tag.
Having said that, don’t expect to get Oscar-winning work for free. The level of experience and expertise of your crew is commensurate with the level of remuneration you will need to provide. Trust your appointed crew to let you know what FX etc you can realistically afford, and give you the best ‘bang for your buck’. Continue reading


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